Services & Packages
Everything Shot For One Goal: More Leads
No fluff packages, no generic content. Every shoot is built around what actually moves construction and trade businesses — leads, bigger jobs, and standing out from the competition.
What's Included
Core Services
Job-Site Video Shoots
We come to the site while the work is happening. Crew shots, process, scale, craftsmanship — the stuff that makes a homeowner trust you before you ever pick up the phone.
Drone Footage
Aerial coverage of active projects and finished work. The angles your competitors can't get from a phone in their pocket — roofs, lot lines, full property context.
Before/After Content
The single highest-converting content format for contractors. We shoot and package clean before/after sequences built to stop the scroll.
Ad-Ready Short-Form Video
Vertical cuts built specifically for Reels, TikTok, and Facebook ads — not just a highlight reel repurposed and hoped for the best.
Google & Meta Ad Creative
Creative built to run as paid media, not just organic posts — hooks, captions, and formats matched to what actually performs in the trades.
6K Cinema Rig Footage
Ground-level coverage shot on a custom-built 6K cinema rig — not a gimbal, not a phone. The same production value as a national commercial, dialed in for your job site.
Packages
Book A Shoot
Simple, all-inclusive pricing. Every shoot includes editing and ad-ready cuts — not just raw footage.
The Site Visit
1 Hour On Site
One hour, one completed project — perfect for showcasing finished work that fills your feed and fuels your ads.
Includes
- Drone + ground coverage of one active or completed project
- 1 Ad Creative — cut specifically to run as a paid Meta/Google ad
- 1 Social Clip — ready to post organically
- Licensed for organic and paid advertising
- Delivered within 5 business days
Takes you to tradesmediamarketingco.com — our sister company, where bookings and your finished videos live.
Most Booked
The Full Job
2 Hours On Site
2 hours of coverage, splittable across up to two visits — perfect for before/after transformations, or catching a project mid-progress and then finished. The package most contractors use to build a real ad library from one job.
Includes
- Full drone + ground coverage, splittable across up to 2 visits
- 2 Ad Creatives — cuts built specifically to run as paid Meta/Google ads
- 2 Social Clips — ready to post organically
- Licensed for paid advertising
- Priority delivery within 3 business days
Takes you to tradesmediamarketingco.com — our sister company, where bookings and your finished videos live.
Growth Partnership
Per Month, 3-Month Minimum
Starting at
Production team and ad manager in one — we shoot the content and run the campaigns behind it. For contractors who want a steady content engine and someone actually managing what it produces, instead of posting and hoping. Add a website build or rebuild on top if you need one.
Includes
- Up to two 2-hour production visits per month
- A Hero Brand Film from every visit — your main story video, ready to post or run as an ad
- Meta & Google campaigns built, launched and managed to fill your schedule
- Monthly report on spend, leads, and cost per lead
- Ad spend set to your market and adjusted as needed — separate from the monthly
- Ongoing marketing asset library from active job sites
- Monthly content strategy session
- Priority scheduling and turnaround
- Optional website build or rebuild, through Trades Media Marketing Co.
Takes you to tradesmediamarketingco.com — our sister company, where bookings and your finished videos live.
Booking runs on TMOS, our scheduling platform — so this takes you to tradesmediamarketingco.com. That's us: Trades Media Marketing Co. is our sister company and it's where your account, your bookings and your finished videos live. You'll set up a free account, tell us about the job, and we'll confirm the date and send a service agreement. Nothing starts and nothing is charged until you sign it.
Booking one-off shoots and want the ads run too? See Social Media Ad Management →
Need a website, client portal, or custom software built? See Trades Media Marketing Co. →
Why It Costs What It Costs
You're not paying for a couple of hours
The shoot takes a morning. What you're paying for is what's on screen afterward — and what it says about your business before anyone picks up the phone.
Homeowners judge you online before they ever call. Footage of your crew doing real work, shot with the same production value as a national commercial, tells them you're a serious operation in about three seconds — without you saying a word. Shaky phone clips tell them something else.
We do it right the first time
Right gear, right light, right angles, cut properly. One visit shot the right way beats a year of clips filmed sideways on a phone — and you only have to give up the morning once.
The strategy and script are on us
You don't write anything or plan anything. We work out the angle, write the hook and the script, and direct it on the day. You show up and do your work.
We work around your crew
We shoot while the work is happening. Nothing staged, nothing stopped, nobody standing around waiting on us — your guys keep working and the day stays on schedule.
It gets a real edit, not a filter
Professionally cut, color graded, sound handled, and captioned so it still lands with the sound off. That finish is what separates content that looks like a business from content that looks like a phone video.
The aerial work is legal
FAA Part 107 certified drone operation. Commercial aerial coverage flown by the book — not a hobby drone and a hope that nobody asks.
It doesn't take many visits
A trustworthy online presence doesn't need a film crew on retainer. A couple of good shoots gets you a library of content you'll be posting and running as ads for months.
The footage is yours to run
Licensed for organic and paid use from the day it's delivered. Post it, run it as an ad, put it on your website — it's your content, not something you rent back from us.
Your rate doesn't go up on you
Clients who started with us are still on the number they started at. We'd rather keep good people at a fair price than raise it on them because we can.
Then we get out of your way
We're not trying to hook you into something forever. We build the assets, hand them over licensed for paid and organic use, and you get back to running jobs.
Why We Keep It Low
We're trying to change how tradesmen get seen
Our rates sit well under what a production company charges for the same day on site, and that's a choice, not a discount. Skilled trades have been marketed badly for decades — a magnet on the truck, a half-finished Facebook page, and whatever somebody's nephew put together on a weekend. The work is some of the most skilled anybody does and it gets presented worse than almost anything else.
So we price it so the people actually doing the work can afford to be seen properly. That's the paradigm we're trying to shift, and keeping it affordable for good crews is the only way it shifts.
Because if somebody needs great work done, they should be able to find the people doing it — not just whoever spent the most on advertising.
Legacy Pricing
Get in now and your rate stays put
Our rates have gone up as the gear, the skill and the schedule have. The people who were here first didn't go up with them. Some of our earliest clients still book shoots at $150–200 — the same number they started at two years ago — because they backed us early, and that counts for something.
That number isn't on the table for new clients. The principle is. Get on a service agreement and today's rate is your rate for as long as you're with us — it doesn't drift up every time ours does.
And today's rate is already well under what most production companies charge for the same day on site. Rates only move one direction. The people paying $150 got in two years ago — starting now costs less than starting next year.
Straight Talk
The partnership isn't for everyone
Book a one-off shoot and we're glad to have you — anybody doing quality work is welcome on the schedule.
The Growth Partnership is the one we're picky about. It's one schedule, and every partner takes up to two visits a month — so we only run a handful at a time. It's built for businesses ready to scale, doing work worth showing, who already see what good content is worth.
It isn't only about whether you're ready, either. We put our name on everything we shoot, so we care whose work it goes on. We partner with crews doing honest work that holds up — people who look after their customers and their community.
The ones we want most are the ones happy to give something back to the trade on the way. Explain how the work is actually done. Show the step everybody else skips past. A homeowner who understands what they're paying for argues about the price less, and some kid watching it decides this is worth doing for a living — which the whole industry needs right now. Promoting your business and teaching the trade aren't in conflict. Done right they're the same footage.
Not cookie-cutter builders. Not companies cutting corners and hoping nobody notices. Not crews that are three weeks behind on every job with nothing to show for it. And not anybody who treats their subs as the cheapest line on the job — grinding them on price, paying them late, or talking about them like they're the problem. If that's how it's run, we're not a fit — and we'll tell you that too.
And to be plain about one of those: nobody here cares what you do after work. Some of the best builders I know can have a few and still be first on site in the morning — that's earned, and we respect it. It only becomes a problem when the work stops getting done, and if that's what we're seeing, we'll say so.
That last one isn't a business rule, it's personal. I was the one carrying material and doing the part nobody photographs long before I picked up a camera. The laborers, the helpers, the guys who are first on and last off — they're my heroes, and they are the reason any of this footage is worth watching. Every ad we cut is made out of their work. A company that treats its crew as disposable shows it on camera, and I'm not going to dress that up.
The standard of the work has to be real, too. We shoot close — a miter, a grout line, a struck joint, a weld bead. That's where the shots that sell you come from, and it's also where thin work has nowhere left to hide. We're not in the business of making work look better than it is. Your customer finds out either way, and by then our name is on it.
And it will show. A camera on a job site records how the operation is actually run — whether the site is tidy, whether the crew knows what they're doing, whether anybody's in a hurry. Your customers can tell. We can tell. No edit fixes that, and we'd rather not take the money and pretend otherwise.
You also have to actually want to do it. We'll work out the angle, write the script, set the light and clip the mic on — but once it's rolling, that part's yours. Bring some energy and the camera shows people exactly why they should hire you. Phone it in and it shows that just as clearly.
Either way, here's the honest part: we hand you a library built to bring in work — and on the Growth Partnership we're running the campaigns behind it too. What we can't do is answer the phone when it rings, get a quote back out fast, and follow up. That's the part that decides what all of it ends up being worth.
Come ready to use it and it pays for itself. That's the deal.
Think you're a fit? Book a qualifying call. We'll look at your business, your market, and what you're already putting out — then tell you straight whether a partnership makes sense, or whether you're better off with one-off shoots.
Questions
Before You Book
Just Getting Going
If the money isn't there yet, say so
Not everybody reading this has $475 spare for a shoot day, let alone the cost of a proper website on top. If you're a year or two in, doing the work yourself out of a truck, and every dollar is going straight back into tools — we know exactly where you are, because that is where this started.
So tell us where you're at. If you're doing careful work and you actually care about the trade, we'll find something that works — a smaller first shoot, a build split over time, something traded. We would rather help you get going and have you remember it when you're busy than turn you away for being early.
We won't pretend to know what that looks like before we talk, because it depends on the job and the month. But the conversation costs nothing and we'll be straight with you either way — tell us where you're at.
What This Normally Costs
The going rate in Charleston starts at $4,900.
Not a guess — these are prices Charleston production companies publish themselves. We've left the names off; you can look them up in about a minute.
Entry brand package
$4,900+
A banner video, two 15-second social cuts and a set of stills — the smallest package on offer.
Typical multi-day production
$15,000 – $25,000
Stated as the range most clients book for a multi-day shoot.
Larger production, expanded crew
$25,000 – $55,000
Bigger crews and longer schedules.
Charleston agency range
$4,000 – $35,000
The band local agencies work in for brand films, commercial production and aerial work.
Lowcountry Construction Media — The Site Visit
$475
Drone and ground coverage of a job, an ad creative cut to run as a paid ad, a social clip, licensed for paid use, back in five business days.
And it isn't one company
11 of the 16 Charleston video agencies that publish a minimum won't take a job under $5,000.
2 of them won't start under $10,000. That's their stated minimum project size — before anyone discusses what you actually want made.
Published hourly rates, same directory
At the going hourly rate, our $475 Site Visit buys about three to four hours of somebody's time. It buys you a finished, graded, ad-ready cut instead.
The cheapest package anyone else publishes is about 10× our starting price. We're an owner-operator with a small crew rather than an agency with an office to pay for, we shoot the Lowcountry trades every week so nothing is a first attempt, and the work is built to get the phone ringing rather than to win an award.
That's the whole reason the price is what it is. It isn't a discount and it isn't an introductory rate — and our earliest clients are still on what they signed at.
Takes you to tradesmediamarketingco.com — our sister company, where bookings and your finished videos live.
Comparison figures are prices published publicly by Charleston-area production companies, an industry rate guide, and the Clutch agency directory — checked 2026-09-02. Rates move; these are for orientation, not a quote from anyone but us.
Book A Shoot
Ready to win more jobs?
Book a shoot or grab a free strategy call — we'll walk through what content will move the needle for your business.
Booking runs on TMOS, our scheduling platform — so this takes you to tradesmediamarketingco.com. That's us: Trades Media Marketing Co. is our sister company and it's where your account, your bookings and your finished videos live. You'll set up a free account, tell us about the job, and we'll confirm the date and send a service agreement. Nothing starts and nothing is charged until you sign it.